Later, St. Augustine made use of the figure of Lucretia in The City of God (published 426 AD) to defend the honour of Christian women who had been raped in the sack of Rome and had not committed suicide. Grasping the bloody dagger,[16] he swore by Mars and all the other gods that he would do everything in his power to overthrow the dominion of the Tarquinii. He proposed Brutus and Collatinus as the first two consuls and that choice was ratified by the curiae. At the forum, the committee heard grievances against the Tarquins and began to enlist an army to abolish the monarchy. This ended the monarchy, and during these proceedings Lucretia was still displayed in the forum. Livy contrasts the virtue of the Roman Lucretia, who remained in her room weaving, with the Etruscan ladies who feasted with friends. The Rape of Lucrece draws on the story described in both Ovid's Fasti and Livy's History of Rome. After disclosing the rape, she asked them for vengeance, a plea that could not be ignored because she was speaking to the chief magistrate of Rome. She, however, prefered death to even a hint of dishonor and, pulling a dagger from her clothes, took her own life. [4], As the events of the story move rapidly, the date of Lucretia's rape is most likely the same year as the first of the fasti. Afterward Lucrece sends her family a message telling them what happened, but not naming her attacker. In a variant of the story,[8] Tarquin and Collatinus, at a wine party on furlough, were debating the virtues of wives when Collatinus volunteered to settle the debate. [14], In this version, Collatinus and Brutus were encountered returning to Rome unaware of the incident, were briefed, and were brought to the death scene. Brutus "urged them to act as men and Romans and take up arms against their insolent foes"[17] in response to the death of a dutiful wife. In the poem, Lucrece is the wife of the Roman nobleman Collatine. In Livy's version, Lucretia acts quickly and calmly, deciding not to go to Rome, but instead sends for her father and her husband, asking them to bring one friend each to act as a witness. Niccolò Machiavelli's comedy La Mandragola is loosely based on the Lucretia story. Her suicide after having been raped by an Etruscan king's son was the immediate cause of the anti-monarchist rebellion that … By kinship he was a Tarquin on his mother's side, the son of Tarquinia, daughter of Lucius Tarquinius Priscus, the third king before last. In 1932, the play Lucrece was produced on Broadway, starring legendary actress Katharine Cornell in the title part. [11] Those selected were Publius Valerius Publicola from Rome and Lucius Junius Brutus from the camp at Ardea. A direct excerpt from Livy is used when Shakespeare prefaces his poem with a brief prose called "Argument". He began by revealing that his pose as a fool was a sham designed to protect him against an evil king. The husband of Lucretia was Lucius Tarquinius Collatinus, one of the leaders of the revolution that … Lucrezia Borgia was an Italian noblewoman and daughter of Pope Alexander VI. Later in the night, Tarquin entered Lucretia's bedroom, quietly going around the slaves who were sleeping at her door. He levelled a number of charges against the king and his family: the outrage against Lucretia, whom everyone could see on the dais, the king's tyranny, the forced labor of the plebeians in the ditches and sewers of Rome. While engaged in the siege of Ardea, Lucius Tarquinius Superbus, the last king of Rome, sent his son, Tarquin, on a military errand to Collatia. Two Opera-loving Bears who are so lucky to live with two wonderful Opera-loving Humans Tarquin... Katharine Cornell in the title part ending ; one tragic, one farcical and one romantic the. 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