The only thing I liked about this was the effects (which probably used up all of this film's budget, since the actors are pretty subpar.) Maybe I just wasn’t built to be thrown into a drug-induced frenzy of neon lights and blood stained bathrooms in the midst of a bustling Tokyo... Definitely liked Irreversible more, but I’m still glad I watched this for the few scenes that I did really like. Block or Report. I really wanted to like this (and I expected to) but I just...didn’t. Sarna uses Letterboxd to share film reviews and lists. It was visceral and nightmareish, and I would wholly recommend that if you have the stomach for this style of film that you take the plunge and experience it, at least once! Made by fans in Auckland, New Zealand. Touching the Void (2003) directed by Kevin ... - Letterboxd From the opening shot that leaves no doubt as to what you're watching till the final shot that made me remember so many brilliant Lovecraft inspired horror gems of the 80s, The Void garners its strength from such a strong sense of identity it is difficult to not be swept along in its nostalgic atmosphere. Daniel’s review published on Letterboxd: Some really cool moments and great practical effects. This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. Alternative titles: 虚空异界, The Void - Il vuoto, 더 보이드, Conjuros del más allá, El vacío, Directed by Jeremy Gillespie Steven Kostanski. entered the void uses Letterboxd to share film reviews and lists. This is worse. Directed by Jeremy Gillespie Steven Kostanski. More details at DirkH’s review published on Letterboxd: The Void understands this perfectly. If you can do horror just for the gore, kills, and little else, you'll appreciate this coming out of 2016. ! 20 films watched. Watched Sep 18, 2020. The Void is reminiscent of Assault on Precinct 13, but with a small isolated hospital standing in for the police station and sinister garbed cultists taking the place of those ghostly gang members. The story doesn’t hold up though but definitely worth a watch. This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. While its original theatrical poster is also mostly white, it is represented on Never ever.”A Whiter Shade of Pale ga pernah sesyahdu ini. The Void is welcome if very unsettling throwback to the horrors of the 80's, offering a hefty dose of nostalgia and effective thrills that is sure to satisfy gorehounds alike. That experience left me intrigued, but also fearful. this was batshit crazy enough that i'm willing to overlook the fact that half the female cast just gave birth to a horrifying abomination and then died immediately. nonetheless, it was still a surreal, visceral experience unlike any other film I have seen to date. I really didn't care about any of the characters, they just felt so poorly written. the car scene is what really got to me - the extremity of sound effects emphasise the intensity of psychological trauma it caused for oscar, by forcing us into his psyche. Touching the Void: Return to Siula Grande. pues después de terminar esta película fue lo primero que experimenté, puedo darme el lujo de decir que es de las mejores películas que he visto, simplemente los planos, las tomas, las transiciones que hubo para el cambio de escena fueron fenomenales y brutales, muy cruda la forma en la que es la historia y es representada algo que nos hace ver la realidad que muchos vivimos y lo mal que podemos acabar, creo que nunca en mi vida había visto tanto sexo para ser sincera, era como que me distraía con la iluminación y con lo que trataba de visualizar…, Cool visuals and theme, but shock value is driven up so that it weakened the viewing experience. They taunt you to walk away ; press eject, continue on to enjoy tranquil. Viewed at night reCAPTCHA and the grand expanses of feeling and universal blur... In, and the grand expanses of feeling and universal emotion blur together like neon. 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