Acquisition: Hero gains magical item. After studying 100 fairytales, Vladimir Propp developed a character theory for studying media texts and productions. They may speak with a family member who innocently divulges a crucial insight. As is too plain in the case of ninjutsu, the function of the devices can be described as magical in a sense. According to Propp, based on his analysis of 100 folktales from the corpus of Alexander Fyodorovich Afanasyev, there were 31 basic structural elements (or 'functions') that typically occurred within Russian fairy tales. 22.RESCUE: The hero is saved from a chase. The Donor is a person who gives the Hero something special, such as a magical weapon or some particular wisdom. The Donor is a person who gives the Hero something special, such as a magical weapon or some particular wisdom, a clue or a special power. 14. Vladimir propps theory in Shrek 1. 15.GUIDANCE: The hero is transferred, delivered or somehow led to a vital location, perhaps related to one of the above functions such as the home of the donor or the location of the magical agent or its parts, or to the villain. 1. The helper helps the hero in the quest 4. 2.INTERDICTION: A forbidding edict or command is passed upon the hero ('don't go there', 'don't do this'). The hero's life may be saved by another. Here begins their adventure. Struggle Heros Reaction. 3rd Sphere: The Donor Sequence. For example in the film 'Cast Away', the villain is the feeling of captivity whereas in 'The Avengers', the Villan is Lokey. Created by Vladimir Propp, it originally was a theory of analysis for folktales. A great variety of other figures may also take this place. The villain may still be indirectly involved, perhaps fooling the family member into believing they need such an item. The donor someone who gives the hero something to help them on their way, in fantasy tales a magical item, in westerns a gun etc. 5. If the character itself acts on behalf of the hero, it also takes on the role of helper in Propp's analysis. These functions occurred in a specific, ascending order (1-31, although not inclusive of all functions within any tale) within each story. Vladimir Yakovlevich Propp (Russian: ; 29 April[O.S. 20.RETURN: The hero travels back to their home. Note that this in itself may be a complete story. III. The Princess or prize The hero deserves her throughout the story but is unable to marry her because of an unfair evil, usually Introduction. 1. 28.EXPOSURE: The false hero and/or villain is exposed to all and sundry. The villain is the antagonist that creates problems for the hero/heroine. The Donor- provides the protagonist with some form of help i.e. 7.COMPLICITY: The victim is fooled or forced to concede and unwittingly or unwillingly helps the villain, who is now free to access somewhere previously off-limits, like the privacy of the hero's home or a treasure vault, acting without restraint in their ploy. The Helper- is seen as the assistant or sidekick of the protagonist, also representing good. Disguises are often invoked as the villain actively probes for information, perhaps for a valuable item or to abduct someone. Family member leaves family--the hero is introduced. In fairy tales, a donor is a character that tests the hero (and sometimes other characters as well) and provides magical assistance to the hero when he or she succeeds. In East of the Sun and West of the Moon, the heroine is given vital gifts by three old women she meets on the way.[3]:193. 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